“We are perishing for want of wonder, not for want of wonders.”
- G.K. Chesterton
The new-looking 737 has unfamiliar markings. I shuffle from the terminal along a loose string of still-sleepy miners boarding a sunrise crew charter to Wabush, Labrador serviced by Air Inuit. That itself is novel, and I wonder how many frequent fliers have even heard of this airline that has linked Nunavik communities since 1978. But the lines of our gleaming transport are familiar enough, the fortnightly process is clearly routine for the other passengers, and my mind comes back to personal travel rituals. Crosswords always help the air time pass by. Settling into my self-assigned aisle seat, I immediately search the pocket in front of me for the ubiquitous in-flight magazine. In my hands is volume 1, number 1 of Inuit.
Something new deserves a look, and as I read I barely notice our smooth liftoff from Pierre Elliott Trudeau International airport in Montréal. Despite a lot of white space, the crisply-designed magazine is a worthy first effort, focusing on Nunavik cultural heritage and reflecting obvious pride in the Inuit-owned and managed Air Inuit. I'm struck most by feature stories prominently written in symbolic Inuktitut characters and accompanied by French and English translations. It's a reminder that some parts of Canada have more than the two standard official languages. But more than that I'm intrigued by the aesthetic geometry of the printed Inuktitut language.